Pandora’s Briefcase

How entrepreneurs really succeed.


In 1969, store Ted Turner wanted to buy a television station. He was thirty years old. He had inherited a billboard business from his father, for sale which was doing well. But he was bored, and television seemed exciting. “He knew absolutely nothing about it,” one of Turner’s many biographers, Christian Williams, writes in “Lead, Follow or Get Out of the Way” (1981). “It would be fun to risk everything he had built, scare the hell out of everybody, and get back in the front seat of the roller coaster.”

The station in question was WJRJ, Channel 17, in Atlanta. It was an independent station on the UHF band, the lonely part of the television spectrum which viewers needed a special antenna to find. It was housed in a run-down cinder-block building near a funeral home, leading to the joke that it was at death’s door. The equipment was falling apart. The staff was incompetent. It had no decent programming to speak of, and it was losing more than half a million dollars a year. Turner’s lawyer, Tench Coxe, and his accountant, Irwin Mazo, were firmly opposed to the idea. “We tried to make it clear that—yes—this thing might work, but if it doesn’t everything will collapse,” Mazo said, years later. “Everything you’ve got will be gone. . . . It wasn’t just us, either. Everybody told him not to do it.”

Turner didn’t listen. He was Captain Courageous, the man with nerves of steel who went on to win the America’s Cup, take on the networks, marry a movie star, and become a billionaire. He dressed like a cowboy. He gave the impression of signing contracts without looking at them. He was a drinker, a yeller, a man of unstoppable urges and impulses, the embodiment of the entrepreneur as risk-taker. He bought the station, and so began one of the great broadcasting empires of the twentieth century.

What is sometimes forgotten amid the mythology, however, is that Turner wasn’t the proprietor of any old billboard company. He had inherited the largest outdoor-advertising firm in the South, and billboards, in the nineteen-sixties and seventies, were enormously lucrative. They benefitted from favorable tax-depreciation rules, they didn’t require much capital investment, and they produced rivers of cash. WJRJ’s losses could be used to offset the taxes on the profits of Turner’s billboard business. A television station, furthermore, fit very nicely into his existing business. Television was about selling ads, and Turner was very experienced at ad-selling. WJRJ may have been a virtual unknown in the Atlanta market, but Turner had billboards all over the city that were blank about fifteen per cent of the time. He could advertise his new station free. As for programming, Turner had a fix for that, too. In those days, the networks offered their local affiliates a full slate of shows, and whenever an affiliate wanted to broadcast local programming, such as sports or news, the national shows were preëmpted. Turner realized that he could persuade the networks in New York to let him have whatever programming their affiliates weren’t running. That’s exactly what happened. “When we reached the point of having four preempted NBC shows running in our daytime lineup,” Turner writes in his autobiography, “Call Me Ted” (2008), “I had our people put up some billboards saying ‘THE NBC NETWORK MOVES TO CHANNEL 17.’ ”

Williams writes that Turner was “attracted to the risk” of the deal, but it seems just as plausible to say that he was attracted by the deal’s lack of risk. “We don’t want to put it all on the line, because the result can’t possibly be worth the risk,” Mazo recalls warning Turner. Put it all on the line? The purchase price for WJRJ was $2.5 million. Similar properties in that era went for many times that, and Turner paid with a stock swap engineered in such a way that he didn’t have to put a penny down. Within two years, the station was breaking even. By 1973, it was making a million dollars in profit.

In a recent study, “From Predators to Icons,” the French scholars Michel Villette and Catherine Vuillermot set out to discover what successful entrepreneurs have in common. They present case histories of businessmen who built their own empires—ranging from Sam Walton, of Wal-Mart, to Bernard Arnault, of the luxury-goods conglomerate L.V.M.H.—and chart what they consider the typical course of a successful entrepreneur’s career. There is almost always, they conclude, a moment of great capital accumulation—a particular transaction that catapults him into prominence. The entrepreneur has access to that deal by virtue of occupying a “structural hole,” a niche that gives him a unique perspective on a particular market. Villette and Vuillermot go on, “The businessman looks for partners to a transaction who do not have the same definition as he of the value of the goods exchanged, that is, who undervalue what they sell to him or overvalue what they buy from him in comparison to his own evaluation.” He moves decisively. He repeats the good deal over and over again, until the opportunity closes, and—most crucially—his focus throughout that sequence is on hedging his bets and minimizing his chances of failure. The truly successful businessman, in Villette and Vuillermot’s telling, is anything but a risk-taker. He is a predator, and predators seek to incur the least risk possible while hunting.

Giovanni Agnelli, the founder of Fiat, financed his young company with the money of investors—who were “subsequently excluded from the company by a maneuver by Agnelli,” the authors point out. Bernard Arnault took over the Boussac group at a personal cost of forty million francs, which was a fraction of the “immediate resale value of the assets.” The French industrialist Vincent Bolloré “took charge of the failing family company for almost nothing with other people’s money.” George Eastman, the founder of Kodak, shifted the financial risk of his new enterprise to his family and to his wealthy friend Henry Strong. IKEA’s founder, Ingvar Kamprad, arranged to get his furniture made in Communist Poland for half of what it would cost him in Sweden. Marcel Dassault, the French aviation pioneer, did a study for the French Army that pointed out the value of propellers, and then took over a propeller manufacturer. When he started making planes for the military, he made sure he was paid in advance.

People like Dassault and Eastman and Arnault and Turner are all successful entrepreneurs, businessmen whose insights and decisions have transformed the economy, but their entrepreneurial spirit could not have less in common with that of the daring risk-taker of popular imagination. Would we so revere risk-taking if we realized that the people who are supposedly taking bold risks in the cause of entrepreneurship are actually doing no such thing?


The most successful entrepreneur on Wall Street—certainly of the past decade and perhaps even of the postwar era—is a hedge-fund manager named John Paulson. He started a small money-management business in the nineteen-nineties and built it into a juggernaut, and Gregory Zuckerman’s recent account of Paulson’s triumph, “The Greatest Trade Ever,” offers a fascinating perspective on the predator thesis.

Paulson grew up in middle-class Queens, the child of an immigrant father. His career on Wall Street started relatively slowly. He launched his firm in 1994, when he was nearly forty years old, specializing in merger arbitrage. By 2004, Paulson was managing about two billion dollars of other people’s money, putting him in the middle ranks of hedge funds. He was, Zuckerman writes, a “solid investor, careful and decidedly unspectacular.” The particular kinds of deal he did were “among the safest forms of investing.” One of Paulson’s mentors was an investor named Marty Gruss, and, Zuckerman writes, “the ideal Gruss investment had limited risk but held the promise of a potential fortune. Marty Gruss drilled a maxim into Paulson: ‘Watch the downside; the upside will take care of itself.’ At his firm, he asked his analysts repeatedly, ‘How much can we lose on this trade?’ ” Long after he became wealthy, he would take the bus to his offices in midtown, and the train out to his summer house on Long Island. He was known for getting around the Hamptons on his bicycle.

By 2004-05, Paulson was increasingly suspicious of the real-estate boom. He decided to short the mortgage market, using a financial tool known as the credit-default swap, or C.D.S. A credit-default swap is like an insurance policy. Wall Street banks combined hundreds of mortgages together in bundles, and investors could buy insurance on any of the bundles they chose. Suppose I put together a bundle of ten mortgages totalling a million dollars. I could sell you a one-year C.D.S. policy on that bundle for, say, a hundred thousand dollars. If after the year was up the ten homeowners holding those mortgages were all making their monthly payments, I’d pocket your hundred thousand. If, however, those homeowners all defaulted, I’d owe you the full value of the bundle—a million dollars. Throughout the boom, countless banks and investment firms sold C.D.S. policies on securities backed by subprime loans, happily pocketing the annual premiums in the belief that there was little chance of ever having to make good on the contract. Paulson, as often as not, was the one on the other side of the trade. He bought C.D.S. contracts by the truckload, and, when he ran out of money, he found new investors, raising billions of new dollars so he could buy even more. By the time the crash came, he was holding insurance on some twenty-five billion dollars’ worth of subprime mortgages.

Was Paulson’s trade risky? Conventional wisdom said that it was. This kind of deal is known, in Wall Street parlance, as a “negative-carry” trade, and, as Zuckerman writes, negative-carry trades are a “maneuver that investment pros detest almost as much as high taxes and coach-class seating.” Their problem with negative-carry is that if the trade doesn’t pay off quickly it can become ruinously expensive. It’s one thing if I pay you a hundred thousand dollars for one year’s insurance on a million dollars’ worth of mortgages, and the mortgages go belly up after six months. But what if I pay premiums for two years, and the bubble still hasn’t burst? Then I’m out two hundred thousand dollars, with nothing to show for my efforts. And what if the bubble hasn’t burst after three years? Now I have a very nervous group of investors. To win at a negative-carry trade, you have not only to correctly predict the presence of a bubble but also to correctly predict when the bubble is about to burst.

At one point before the crash, Zuckerman writes, a trader at Morgan Stanley “hung up the phone after yet another Paulson order and turned to a colleague in disbelief. ‘This guy is nuts,’ he said with a chuckle, amazed that Paulson was agreeing to make so many annual insurance payments. ‘He’s just going to pay it all out?’ ” Wall Street thought that Paulson was crazy.

But Paulson wasn’t crazy at all. In 2006, he had his firm undertake a rigorous analysis of the housing market, led by Paulson’s associate Paolo Pellegrini. At that point, it was unclear whether rising housing prices represented a bubble or a legitimate phenomenon. Pellegrini concluded that housing prices had risen on average 1.4 per cent annually between 1975 and 2000, once inflation had been accounted for. In the next five years, though, they had risen seven per cent a year—to the point where they would have to fall by forty per cent to be back in line with historical trends. That fact left Paulson certain that he was looking at a bubble.

Paulson’s next concern was with the volatility of the housing market. Was this bubble resilient? Or was everything poised to come crashing down? Zuckerman tells how Pellegrini and another Paulson associate, Sihan Shu, “purchased enormous databases tracking the historic performance of more than six million mortgages in various parts of the country.” Thus equipped,

they crunched the numbers, tinkered with logarithms and logistic functions, and ran different scenarios, trying to figure out what would happen if housing prices stopped rising. Their findings seemed surprising: Even if prices just flatlined, homeowners would feel so much financial pressure that it would result in losses of 7 percent of the value of a typical pool of subprime mortgages. And if home prices fell 5 percent, it would lead to losses as high as 17 percent.

This was a crucial finding. Most people at the time believed that widespread defaults on mortgages were a function of some combination of structural economic factors such as unemployment rates, interest rates, and regional economic health. That’s why so many on Wall Street were happy to sell Paulson C.D.S. policies: they thought it would take a perfect storm to bring the market to its knees. But Pellegrini’s data showed that the bubble was being inflated by a single, rickety factor—rising home prices. It wouldn’t take much for the bubble to burst.

Paulson then looked at what buying disaster insurance on mortgages would cost. C.D.S. contracts can sometimes be prohibitively expensive. In the months leading up to General Motors’ recent bankruptcy, for example, a year’s insurance on a million of the carmaker’s bonds sold for eight hundred thousand dollars. If Paulson had to pay anything like that amount, there wouldn’t be much room for error. To his amazement, though, he found that to insure a million dollars of mortgages would cost him just ten thousand dollars—and this was for some of the most dubious and high-risk subprime mortgages. Paulson didn’t even need a general housing-market collapse to make his money. He needed only the most vulnerable of all homeowners to start defaulting. It was a classic asymmetrical trade. If Paulson raised a billion dollars from investors, he could buy a year’s worth of insurance on twelve billion dollars of subprime loans for a hundred and twenty million. That’s an outlay of twelve per cent up front. But, Zuckerman explains,

because premiums on CDS contracts, like those on any other insurance product, are paid out over time, the new fund could keep most of its money in the bank until the CDS bills came due, and thereby earn about 5 percent a year. That would cut the annual cost to the fund to a more reasonable 7 percent. Since Paulson would charge 1 percent a year as a management fee, the most an investor could lose would be 8 percent a year. . . . And the upside? If Paulson purchased CDS contracts that fully protected $12 billion of subprime mortgage bonds and the bonds somehow became worthless, Paulson & Co. would make a cool $12 billion.

“There’s never been an opportunity like this,” Paulson gushed to a colleague, as he made one bet after another. By “never,” he meant never ever—not in his lifetime and not in anyone else’s, either. In one of the book’s many memorable scenes, Zuckerman describes how a five-point decline in what’s called the ABX index (a measure of mortgage health) once made Paulson $1.25 billion in one morning. In 2007 alone, Paulson & Co. took in fifteen billion dollars in profits, of which four billion went directly into Paulson’s pocket. In 2008, his firm made five billion dollars. Rarely in human history has anyone made so much money is so short a time.

What Paulson’s story makes clear is how different the predator is from our conventional notion of the successful businessman. The risk-taking model suggests that the entrepreneur’s chief advantage is one of temperament—he’s braver than the rest of us are. In the predator model, the entrepreneur’s advantage is analytical—he’s better at figuring out a sure thing than the rest of us. Paulson looked at the same marketplace as everyone else on Wall Street did. But he saw a different pattern. As an outsider, he had fresh eyes, and his line of investing made him a lot more comfortable with negative-carry trades than his competitors were. He looked for and found partners to the transaction who did not have the same definition as he of the value of the goods exchanged—that is, the banks selling credit-default swaps for a penny on the dollar—and he exploited that advantage ruthlessly. At one point, incredibly, Paulson got together with some investment banks to assemble bundles of the most absurdly toxic mortgages—which the banks then sold to some hapless investors and Paulson then promptly bet against. As Zuckerman points out, this is the equivalent of a game of football in which the defense calls the plays for the offense. It’s how a nerd would play football, not a jock.

This is exactly how Turner pulled off another of his legendary early deals—his 1976 acquisition of the Atlanta Braves baseball team. Turner’s Channel 17 was the Braves’ local broadcaster, having acquired the rights four years before—a brilliant move, as it turned out, because it forced every Braves fan in the region to go out and buy a UHF antenna. (Well before ESPN and Rupert Murdoch’s Sky TV, Turner had realized how important live sports programming could be in building a television brand.) The team was losing a million dollars a year, and the owners wanted ten million dollars to sell. That was four times the price of Channel 17. “I had no idea how I could afford it,” Turner told one of his biographers, although by this point the reader is wise to his aw-shucks modesty. First, he didn’t pay ten million dollars. He talked the Braves into taking a million down, and the rest over eight or so years. Second, he didn’t end up paying the million down. Somewhat mysteriously, Turner reports that he found a million dollars on the team’s books—money the previous owners somehow didn’t realize they had—and so, he says, “I bought it using its own money, which was quite a trick.” He now owed nine million dollars. But Turner had already been paying the Braves six hundred thousand dollars a year for the rights to broadcast sixty of the team’s games. What the deal consisted of, then, was his paying an additional six hundred thousand dollars or so a year, for eight years: in return, he would get the rights to all a hundred and sixty-two of the team’s games, plus the team itself.

You and I might not have made that deal. But that’s not because Turner is a risk-taker and we are cowards. It’s because Turner is a cold-blooded bargainer who could find a million dollars in someone’s back pocket that the person didn’t know he had. Once you get past the more flamboyant aspects of Turner’s personal and sporting life, in fact, there is little evidence that he had any real appetite for risk at all. In his memoir, Turner tells us that when he was starting out in the family business his father, Ed, bought another billboard firm, called General Outdoor. That was the acquisition that launched the Turner company as a major advertising player in the South, and it involved taking on a sizable amount of debt. Young Ted had no qualms, intellectually, about the decision. He could do the math. There were substantial economies of scale in the advertising business: the bigger you got, the lower your costs were, and paying off the debt from the General Outdoor purchase, Ted Turner realized, probably wasn’t going to be a problem. But Turner’s father did something that Turner, when he was building his empire, always went to extraordinary lengths to avoid: he put his own capital into the deal. In the highly unlikely event that it didn’t work out, Turner Advertising would be crippled. It was a good deal, not a perfect one, and that niggling imperfection, along with the toll that the uncertainty was taking on his father, left Turner worried sick. “During the first six months or so after the General Outdoor acquisition my weight dropped from 180 pounds to 135,” he writes. “I developed a pre-ulcerative condition and my doctor made me swear off coffee. I’d get so tired and agitated that one of my eyelids developed a twitch.”

Zuckerman profiles John Paulson alongside three others who made the same subprime bet—Greg Lippmann, a trader at Deutsche Bank; Jeffrey Greene, a real-estate mogul in Los Angeles; and Michael Burry, who ran a hedge fund in Silicon Valley—and finds the same pattern. All were supremely confident of their decision. All had done their homework. All had swooped down, like perfect predators, on a marketplace anomaly. But these were not men temperamentally suited to risk-taking. They worked so hard to find the sure thing because anything short of that gave them ulcers. Here is Zuckerman on Burry, as he waited for his trade to pan out:

In a tailspin, Burry withdrew from his friends, family, and employees. Each morning, Burry walked into his firm and made a beeline to his office, head down, locking the door behind him. He didn’t emerge all day, not even to eat or use the bathroom. His remaining employees, who were still pulling for Burry, turned worried. Sometimes he got into the office so early, and kept the door closed for so long, that when his staff left at the end of the day, they were unsure if their boss had ever come in. Other times, Burry pounded his fists on his desk, trying to release his tension, as heavy-metal music blasted from nearby speakers.


Paulson’s story also casts a harsh light on the prevailing assumptions behind corporate compensation policies. One of the main arguments for the generous stock options that are so often given to C.E.O.s is that they are necessary to encourage risk-taking in the corporate suite. This notion comes from what is known as “agency theory,” which Freek Vermeulen, of the London Business School, calls “one of the few academic theories in management academia that has actually influenced the world of management practice.” Agency theory, Vermeulen observes, “says that managers are inherently risk-averse; much more risk-averse than shareholders would like them to be. And the theory prescribes that you should give them stock options, rather than stock, to stimulate them to take more risk.” Why do shareholders want managers to take more risks? Because they want stodgy companies to be more entrepreneurial, and taking risks is what everyone says that entrepreneurs do.

The result has been to turn executives into risk-takers. Paulson, for his part, was stunned at the reckless behavior of his Wall Street counterparts. Some of the mortgage bundles he was betting against—collections of some of the sketchiest subprime loans—were paying the investors who bought them six-per-cent interest. Treasury bonds, the safest investment in the world, were paying almost five per cent at that point. Nor could he comprehend why so many banks were willing to sell him C.D.S. insurance at such low prices. Why would someone, in the middle of a housing bubble, demand only one cent on the dollar? At the end of 2006, Merrill Lynch paid $1.3 billion for First Franklin Financial, one of the biggest subprime lenders in the country, bringing the total value of subprime mortgages on its books to eleven billion dollars. Paulson was so risk-averse that he didn’t so much as put a toe in the water of subprime-mortgage default swaps until Pellegrini had done months of analysis. But Merrill Lynch bought First Franklin even though the firm’s own economists were predicting that housing prices were about to drop by as much as five per cent. “It just doesn’t make sense,” an incredulous Paulson told his friend Howard Gurvitch. “These are supposedly the smart people.”

The economist Scott Shane, in his book “The Illusions of Entrepreneurship,” makes a similar argument. Yes, he says, many entrepreneurs take plenty of risks—but those are generally the failed entrepreneurs, not the success stories. The failures violate all kinds of established principles of new-business formation. New-business success is clearly correlated with the size of initial capitalization. But failed entrepreneurs tend to be wildly undercapitalized. The data show that organizing as a corporation is best. But failed entrepreneurs tend to organize as sole proprietorships. Writing a business plan is a must; failed entrepreneurs rarely take that step. Taking over an existing business is always the best bet; failed entrepreneurs prefer to start from scratch. Ninety per cent of the fastest-growing companies in the country sell to other businesses; failed entrepreneurs usually try selling to consumers, and, rather than serving customers that other businesses have missed, they chase the same people as their competitors do. The list goes on: they underemphasize marketing; they don’t understand the importance of financial controls; they try to compete on price. Shane concedes that some of these risks are unavoidable: would-be entrepreneurs take them because they have no choice. But a good many of these risks reflect a lack of preparation or foresight.


Shane’s description of the pattern of entrepreneurial failure brings to mind the Harvard psychologist David McClelland’s famous experiment with kindergarten children in the nineteen-fifties. McClelland watched a group of kids play ringtoss—throwing a hoop over a pole. The children who played the game in the riskiest manner, who stood so far from the pole that success was unlikely, also scored lowest on what he called “achievement motive,” that is, the desire to succeed. (Another group of low scorers were at the other extreme, standing so close to the pole that the game ceased to be a game at all.) Taking excessive risks was, then, a psychologically protective strategy: if you stood far enough back from the pole, no one could possibly blame you if you failed. These children went out of their way to take a “professional” risk in order to avoid a personal risk. That’s what companies are buying with their bloated C.E.O. stock-options packages—gambles so wild that the gambler can lose without jeopardizing his social standing within the corporate world. “As long as the music is playing, you’ve got to get up and dance,” the now departed C.E.O. of Citigroup, Charles Prince, notoriously said, as his company continued to pile one dubious investment on another. He was more afraid of being a wallflower than he was of imperilling his firm.

The successful entrepreneur takes the opposite tack. Villette and Vuillermot point out that the predator is often quite happy to put his reputation on the line in the pursuit of the sure thing. Ingvar Kamprad, of IKEA, went to Poland in the nineteen-sixties to get his furniture manufactured. Since Polish labor was inexpensive, it gave Kamprad a huge price advantage. But doing business with a Communist country at the height of the Cold War was a scandal. Sam Walton financed his first retailing venture, in Newport, Arkansas, with money from his wealthy in-laws. That approach was safer than turning to a bank, especially since Walton was forced out of Newport and had to go back to his wife’s family for another round. But you can imagine that it made for some tense moments at family reunions for a while. Deutsche Bank’s Lippmann, meanwhile, was called Chicken Little and Bubble Boy to his face for his insistence that the mortgage market was going to burst.

Why are predators willing to endure this kind of personal abuse? Perhaps they are sufficiently secure and confident that they don’t need public approval. Or perhaps they are so caught up in their own calculations that they don’t notice. The simplest explanation, though, is that it’s just another manifestation of their relentlessly rational pursuit of the sure thing. If an awkward family reunion was the price Walton had to pay for a guaranteed line of credit, then so be it. He went out of his way to take a personal risk in order to avoid a professional risk. Reputation, after all, is a commodity that trades in the marketplace at a significant and often excessive premium. The predator shorts the dancers, and goes long on the wallflowers.


When Pellegrini finally finished his research on the mortgage market—proving how profoundly inflated home prices had become—he rushed in to show his findings to his boss. Zuckerman writes:

“This is unbelievable!” Paulson said, unable to take his eyes off the chart. A mischievous smile formed on his face, as if Pellegrini had shared a secret no one else was privy to. Paulson sat back in his chair and turned to Pellegrini. “This is our bubble! This is proof. Now we can prove it!” Paulson said. Pellegrini grinned, unable to mask his pride. The chart was Paulson’s Rosetta stone, the key to making sense of the entire housing market. Years later, he would keep it atop a pile of papers on his desk, showing it off to his clients and updating it each month with new data, like a car collector gently waxing and caressing a prized antique auto. . . . “I still look at it. I love that chart,” Paulson says.

There are a number of moments like this in “The Greatest Trade Ever,” when it becomes clear just how much Paulson enjoyed his work. Yes, he wanted to make money. But he was fabulously wealthy long before he tackled the mortgage business. His real motivation was the challenge of figuring out a particularly knotty problem. He was a kid with a puzzle.

This is consistent with the one undisputed finding in all the research on entrepreneurship: people who work for themselves are far happier than the rest of us. Shane says that the average person would have to earn two and a half times as much to be as happy working for someone else as he would be working for himself. And people who like what they do are profoundly conservative. When the sociologists Hongwei Xu and Martin Ruef asked a large sample of entrepreneurs and non-entrepreneurs to choose among three alternatives—a business with a potential profit of five million dollars with a twenty-per-cent chance of success, or one with a profit of two million with a fifty-per-cent chance of success, or one with a profit of $1.25 million with an eighty-per-cent chance of success—it was the entrepreneurs who were more likely to go with the third, safe choice. They weren’t dazzled by the chance of making five million dollars. They were drawn to the eighty-per-cent chance of getting to do what they love doing. The predator is a supremely rational actor. But, deep down, he is also a romantic, motivated by the simple joy he finds in his work.

In “Call Me Ted,” Turner tells the story of one of his first great traumas. When Turner was twenty-four, his father committed suicide. He had been depressed and troubled for some months, and one day after breakfast he went upstairs and shot himself. After the funeral, it emerged that the day before his death Turner’s father had sold the crown jewels of the family business—the General Outdoor properties—to a man named Bob Naegele. Turner was grief-stricken. But he fought back. He hired away the General Outdoor leasing department. He began “jumping” the company’s leases—that is, persuading the people who owned the real estate on which the General Outdoor billboards sat to cancel the leases and sign up with Turner Advertising. Then he flew to Palm Springs and strong-armed Naegele into giving back the business. Turner the rational actor negotiated the deal. But it was Turner the romantic who had the will, at the moment of his greatest grief, to fight back. What Turner understood was that none of his grand ambitions were possible without the billboard cash machine. He had felt the joy that comes with figuring out a particularly knotty problem, and he couldn’t give that up. Naegele, by the way, asked for two hundred thousand dollars, which Turner didn’t have. But Turner realized that for someone in Naegele’s tax bracket a flat payment like that made no sense. He countered with two hundred thousand dollars in Turner Advertising stock. “So far so good,” Turner writes in his autobiography. “I had kept the company out of Naegele’s hands and it didn’t cost me a single dollar of cash.” Of course it didn’t. He’s a predator. Why on earth would he take a risk like that?
How much people drink may matter less than how they drink it.


In 1956, health Dwight Heath, a graduate student in anthropology at Yale University, was preparing to do field work for his dissertation. He was interested in land reform and social change, and his first choice as a study site was Tibet. But six months before he was to go there he got a letter from the Chinese government rejecting his request for a visa. “I had to find a place where you can master the literature in four months, and that was accessible,” Heath says now. “It was a hustle.” Bolivia was the next best choice. He and his wife, Anna Cooper Heath, flew to Lima with their baby boy, and then waited for five hours while mechanics put boosters on the plane’s engines. “These were planes that the U.S. had dumped after World War II,” Heath recalls. “They weren’t supposed to go above ten thousand feet. But La Paz, where we were headed, was at twelve thousand feet.” As they flew into the Andes, Cooper Heath says, they looked down and saw the remnants of “all the planes where the boosters didn’t work.”

From La Paz, they travelled five hundred miles into the interior of eastern Bolivia, to a small frontier town called Montero. It was the part of Bolivia where the Amazon Basin meets the Chaco—vast stretches of jungle and lush prairie. The area was inhabited by the Camba, a mestizo people descended from the indigenous Indian populations and Spanish settlers. The Camba spoke a language that was a mixture of the local Indian languages and seventeenth-century Andalusian Spanish. “It was an empty spot on the map,” Heath says. “There was a railroad coming. There was a highway coming. There was a national government . . . coming.”

They lived in a tiny house just outside of town. “There was no pavement, no sidewalks,” Cooper Heath recalls. “If there was meat in town, they’d throw out the hide in front, so you’d know where it was, and you would bring banana leaves in your hand, so it was your dish. There were adobe houses with stucco and tile roofs, and the town plaza, with three palm trees. You heard the rumble of oxcarts. The padres had a jeep. Some of the women would serve a big pot of rice and some sauce. That was the restaurant. The guy who did the coffee was German. The year we came to Bolivia, a total of eighty-five foreigners came into the country. It wasn’t exactly a hot spot.”

In Montero, the Heaths engaged in old-fashioned ethnography—”vacuuming up everything,” Dwight says, “learning everything.” They convinced the Camba that they weren’t missionaries by openly smoking cigarettes. They took thousands of photographs. They walked around the town and talked to whomever they could, and then Dwight went home and spent the night typing up his notes. They had a Coleman lantern, which became a prized social commodity. Heath taught some of the locals how to build a split-rail fence. They sometimes shared a beer in the evenings with a Bolivian Air Force officer who had been exiled to Montero from La Paz. “He kept on saying, ‘Watch me, I will be somebody,’ ” Dwight says. (His name was René Barrientos; eight years later he became the President of Bolivia, and the Heaths were invited to his inauguration.) After a year and a half, the Heaths packed up their photographs and notes and returned to New Haven. There Dwight Heath sat down to write his dissertation—only to discover that he had nearly missed what was perhaps the most fascinating fact about the community he had been studying.

Today, the Heaths are in their late seventies. Dwight has neatly combed gray hair and thick tortoiseshell glasses, a reserved New Englander through and through. Anna is more outgoing. They live not far from the Brown University campus, in Providence, in a house filled with hundreds of African statues and sculptures, with books and papers piled high on tables, and they sat, in facing armchairs, and told the story of what happened half a century ago, finishing each other’s sentences.

“It was August or September of 1957,” Heath said. “We had just gotten back. She’s tanned. I’m tanned. I mean, really tanned, which you didn’t see a lot of in New Haven in those days.”

“I’m an architecture nut,” Anna said. “And I said I wanted to see the inside of this building near the campus. It was always closed. But Dwight says, ‘You never know,’ so he walked over and pulls on the door and it opens.” Anna looked over at her husband.

“So we go in,” Dwight went on, “and there was a couple of little white-haired guys there. And they said, ‘You’re tanned. Where have you been?’ And I said Bolivia. And one of them said, ‘Well, can you tell me how they drink?’ ” The building was Yale’s Center of Alcohol Studies. One of the white-haired men was E. M. Jellinek, perhaps the world’s leading expert on alcoholism at the time; the other was Mark Keller, the editor of the well-regarded Quarterly Journal of Studies on Alcohol. Keller stood up and grabbed Heath by the lapels: “I don’t know anyone who has ever been to Bolivia. Tell me about it!” He invited Heath to write up his alcohol-related observations for his journal.

After the Heaths went home that day, Anna said to Dwight, “Do you realize that every weekend we were in Bolivia we went out drinking?” The code he used for alcohol in his notebooks was 30A, and when he went over his notes he found 30A references everywhere. Still, nothing about the alcohol question struck him as particularly noteworthy. People drank every weekend in New Haven, too. His focus was on land reform. But who was he to say no to the Quarterly Journal of Studies on Alcohol? So he sat down and wrote up what he knew. Only after his article, “Drinking Patterns of the Bolivian Camba,” was published, in September of 1958, and the queries and reprint requests began flooding in from around the world, did he realize what he had found. “This is so often true in anthropology,” Anna said. “It is not anthropologists who recognize the value of what they’ve done. It’s everyone else. The anthropologist is just reporting.”


The abuse of alcohol has, historically, been thought of as a moral failing. Muslims and Mormons and many kinds of fundamentalist Christians do not drink, because they consider alcohol an invitation to weakness and sin. Around the middle of the last century, alcoholism began to be widely considered a disease: it was recognized that some proportion of the population was genetically susceptible to the effects of drinking. Policymakers, meanwhile, have become increasingly interested in using economic and legal tools to control alcohol-related behavior: that’s why the drinking age has been raised from eighteen to twenty-one, why drunk-driving laws have been toughened, and why alcohol is taxed heavily. Today, our approach to the social burden of alcohol is best described as a mixture of all three: we moralize, medicalize, and legalize.

In the nineteen-fifties, however, the researchers at the Yale Center of Alcohol Studies found something lacking in this emerging approach, and the reason had to do with what they observed right in their own town. New Haven was a city of immigrants—Jewish, Irish, and, most of all, Italian. Recent Italian immigrants made up about a third of the population, and whenever the Yale researchers went into the Italian neighborhoods they found an astonishing thirst for alcohol. The overwhelming majority of Italian-American men in New Haven drank. A group led by the director of the Yale alcohol-treatment clinic, Giorgio Lolli, once interviewed a sixty-one-year-old father of four who consumed more than three thousand calories a day of food and beverages—of which a third was wine. “He usually has an 8-oz. glass of wine immediately following his breakfast every morning,” Lolli and his colleagues wrote. “He always takes wine with his noonday lunch—as much as 24 oz.” But he didn’t display the pathologies that typically accompany that kind of alcohol consumption. The man was successfully employed, and had been drunk only twice in his life. He was, Lolli concluded, “a healthy, happy individual who has made a satisfactory adjustment to life.”

By the late fifties, Lolli’s clinic had admitted twelve hundred alcoholics. Plenty of them were Irish. But just forty were Italians (all of whom were second- or third-generation immigrants). New Haven was a natural experiment. Here were two groups who practiced the same religion, who were subject to the same laws and constraints, and who, it seemed reasonable to suppose, should have the same assortment within their community of those genetically predisposed to alcoholism. Yet the heavy-drinking Italians had nothing like the problems that afflicted their Irish counterparts.

“That drinking must precede alcoholism is obvious,” Mark Keller once wrote. “Equally obvious, but not always sufficiently considered, is the fact that drinking is not necessarily followed by alcoholism.” This was the puzzle of New Haven, and why Keller demanded of Dwight Heath, that day on the Yale campus, Tell me how the Camba drink. The crucial ingredient, in Keller’s eyes, had to be cultural.

The Heaths had been invited to a party soon after arriving in Montero, and every weekend and holiday thereafter. It was their Coleman lantern. “Whatever the occasion, it didn’t matter,” Anna recalled. “As long as the party was at night, we were first on the list.”

The parties would have been more aptly described as drinking parties. The host would buy the first bottle and issue the invitations. A dozen or so people would show up on Saturday night, and the party would proceed—often until everyone went back to work on Monday morning. The composition of the group was informal: sometimes people passing by would be invited. But the structure of the party was heavily ritualized. The group would sit in a circle. Someone might play the drums or a guitar. A bottle of rum, from one of the sugar refineries in the area, and a small drinking glass were placed on a table. The host stood, filled the glass with rum, and then walked toward someone in the circle. He stood before the “toastee,” nodded, and raised the glass. The toastee smiled and nodded in return. The host then drank half the glass and handed it to the toastee, who would finish it. The toastee eventually stood, refilled the glass, and repeated the ritual with someone else in the circle. When people got too tired or too drunk, they curled up on the ground and passed out, rejoining the party when they awoke. The Camba did not drink alone. They did not drink on work nights. And they drank only within the structure of this elaborate ritual.

“The alcohol they drank was awful,” Anna recalled. “Literally, your eyes poured tears. The first time I had it, I thought, I wonder what will happen if I just vomit in the middle of the floor. Not even the Camba said they liked it. They say it tastes bad. It burns. The next day they are sweating this stuff. You can smell it.” But the Heaths gamely persevered. “The anthropology graduate student in the nineteen-fifties felt that he had to adapt,” Dwight Heath said. “You don’t want to offend anyone, you don’t want to decline anything. I gritted my teeth and accepted those drinks.”

“We didn’t get drunk that much,” Anna went on, “because we didn’t get toasted as much as the other folks around. We were strangers. But one night there was this really big party—sixty to eighty people. They’d drink. Then pass out. Then wake up and party for a while. And I found, in their drinking patterns, that I could turn my drink over to Dwight. The husband is obliged to drink for his wife. And Dwight is holding the Coleman lantern with his arm wrapped around it, and I said, ‘Dwight, you are burning your arm.’ ” She mimed her husband peeling his forearm off the hot surface of the lantern. “And he said—very deliberately—’So I am.’ ”

When the Heaths came back to New Haven, they had a bottle of the Camba’s rum analyzed and learned that it was a hundred and eighty proof. It was laboratory alcohol—the concentration that scientists use to fix tissue. No one had ever heard of anyone drinking it. This was the first of the astonishing findings of the Heaths’ research—and, predictably, no one believed it at first.

“One of the world’s leading physiologists of alcohol was at the Yale center,” Heath recalled. “His name was Leon Greenberg. He said to me, ‘Hey, you spin a good yarn. But you couldn’t really have drunk that stuff.’ And he needled me just enough that he knew he would get a response. So I said, ‘You want me to drink it? I have a bottle.’ So one Saturday I drank some under controlled conditions. He was taking blood samples every twenty minutes, and, sure enough, I did drink it, the way I said I’d drunk it.”

Greenberg had an ambulance ready to take Heath home. But Heath decided to walk. Anna was waiting up for him in the third-floor walkup they rented, in an old fraternity house. “I was hanging out the window waiting for him, and there’s the ambulance driving along the street, very slowly, and next to it is Dwight. He waves, and he looks fine. Then he walks up the three flights of stairs and says, ‘Ahh, I’m drunk,’ and falls flat on his face. He was out for three hours.”

The bigger surprise was what happened when the Camba drank. The Camba had weekly benders with laboratory-proof alcohol, and, Dwight Heath said, “There was no social pathology—none. No arguments, no disputes, no sexual aggression, no verbal aggression. There was pleasant conversation or silence.” On the Brown University campus, a few blocks away, beer—which is to Camba rum approximately what a peashooter is to a bazooka—was known to reduce the student population to a raging hormonal frenzy on Friday nights. “The drinking didn’t interfere with work,” Heath went on. “It didn’t bring in the police. And there was no alcoholism, either.”


What Heath found among the Camba is hard to believe. We regard alcohol’s behavioral effects as inevitable. Alcohol disinhibits, we assume, as reliably as caffeine enlivens. It gradually unlocks the set of psychological constraints that keep our behavior in check, and makes us do things that we would not ordinarily do. It’s a drug, after all.

But, after Heath’s work on the Camba, anthropologists began to take note of all the puzzling ways in which alcohol wasn’t reliable in its effects. In the classic 1969 work “Drunken Comportment,” for example, the anthropologists Craig MacAndrew and Robert B. Edgerton describe an encounter that Edgerton had while studying a tribe in central Kenya. One of the tribesmen, he was told, was “very dangerous” and “totally beyond control” after he had been drinking, and one day Edgerton ran across the man:

I heard a commotion, and saw people running past me. One young man stopped and urged me to flee because this dangerous drunk was coming down the path attacking all whom he met. As I was about to take this advice and leave, the drunk burst wildly into the clearing where I was sitting. I stood up, ready to run, but much to my surprise, the man calmed down, and as he walked slowly past me, he greeted me in polite, even deferential terms, before he turned and dashed away. I later learned that in the course of his “drunken rage” that day he had beaten two men, pushed down a small boy, and eviscerated a goat with a large knife.

The authors include a similar case from Ralph Beals’s work among the Mixe Indians of Oaxaca, Mexico:

The Mixe indulge in frequent fist fights, especially while drunk. Although I probably saw several hundred, I saw no weapons used, although nearly all men carried machetes and many carried rifles. Most fights start with a drunken quarrel. When the pitch of voices reaches a certain point, everyone expects a fight. The men hold out their weapons to the onlookers, and then begin to fight with their fists, swinging wildly until one falls down [at which point] the victor helps his opponent to his feet and usually they embrace each other.

The angry Kenyan tribesman was disinhibited toward his own people but inhibited toward Edgerton. Alcohol turned the Mixe into aggressive street fighters, but they retained the presence of mind to “hold out their weapons to the onlookers.” Something that truly disinhibits ought to be indiscriminate in its effects. That’s not the picture of alcohol that these anthropologists have given us. (MacAndrew and Edgerton, in one of their book’s many wry asides, point out that we are all acquainted with people who can hold their liquor. “In the absence of anything observably untoward in such a one’s drunken comportment,” they ask, “are we seriously to presume that he is devoid of inhibitions?”)

Psychologists have encountered the same kinds of perplexities when they have set out to investigate the effects of drunkenness. One common “belief is that alcohol causes self-inflation.” It makes us see ourselves through rose-tinted glasses. Oddly, though, it doesn’t make us view everything about ourselves through rose-tinted glasses. When the psychologists Claude Steele and Mahzarin Banaji gave a group of people a personality questionnaire while they were sober and then again when they were drunk, they found that the only personality aspects that were inflated by drinking were those where there was a gap between real and ideal states. If you are good-looking and the world agrees that you are good-looking, drinking doesn’t make you think you’re even better-looking. Drinking only makes you feel you’re better-looking if you think you’re good-looking and the world doesn’t agree.

Alcohol is also commonly believed to reduce anxiety. That’s what a disinhibiting agent should do: relax us and make the world go away. Yet this effect also turns out to be selective. Put a stressed-out drinker in front of an exciting football game and he’ll forget his troubles. But put him in a quiet bar somewhere, all by himself, and he’ll grow more anxious.

Steele and his colleague Robert Josephs’s explanation is that we’ve misread the effects of alcohol on the brain. Its principal effect is to narrow our emotional and mental field of vision. It causes, they write, “a state of shortsightedness in which superficially understood, immediate aspects of experience have a disproportionate influence on behavior and emotion.”

Alcohol makes the thing in the foreground even more salient and the thing in the background disappear. That’s why drinking makes you think you are attractive when the world thinks otherwise: the alcohol removes the little constraining voice from the outside world that normally keeps our self-assessments in check. Drinking relaxes the man watching football because the game is front and center, and alcohol makes every secondary consideration fade away. But in a quiet bar his problems are front and center—and every potentially comforting or mitigating thought recedes. Drunkenness is not disinhibition. Drunkenness is myopia.

Myopia theory changes how we understand drunkenness. Disinhibition suggests that the drinker is increasingly insensitive to his environment—that he is in the grip of an autonomous physiological process. Myopia theory, on the contrary, says that the drinker is, in some respects, increasingly sensitive to his environment: he is at the mercy of whatever is in front of him.

A group of Canadian psychologists led by Tara MacDonald recently went into a series of bars and made the patrons read a short vignette. They had to imagine that they had met an attractive person at a bar, walked him or her home, and ended up in bed—only to discover that neither of them had a condom. The subjects were then asked to respond on a scale of one (very unlikely) to nine (very likely) to the proposition: “If I were in this situation, I would have sex.” You’d think that the subjects who had been drinking heavily would be more likely to say that they would have sex—and that’s exactly what happened. The drunk people came in at 5.36, on average, on the nine-point scale. The sober people came in at 3.91. The drinkers couldn’t sort through the long-term consequences of unprotected sex. But then MacDonald went back to the bars and stamped the hands of some of the patrons with the phrase “AIDS kills.” Drinkers with the hand stamp were slightly less likely than the sober people to want to have sex in that situation: they couldn’t sort through the kinds of rationalizations necessary to set aside the risk of AIDS. Where norms and standards are clear and consistent, the drinker can become more rule-bound than his sober counterpart.

In other words, the frat boys drinking in a bar on a Friday night don’t have to be loud and rowdy. They are responding to the signals sent by their immediate environment—by the pulsing music, by the crush of people, by the dimmed light, by the countless movies and television shows and general cultural expectations that say that young men in a bar with pulsing music on a Friday night have permission to be loud and rowdy. “Persons learn about drunkenness what their societies import to them, and comporting themselves in consonance with these understandings, they become living confirmations of their society’s teachings,” MacAndrew and Edgerton conclude. “Since societies, like individuals, get the sorts of drunken comportment that they allow, they deserve what they get.”


This is what connects the examples of Montero and New Haven. On the face of it, the towns are at opposite ends of the spectrum. The Camba got drunk every weekend on laboratory-grade alcohol. The Italians drank wine, in civil amounts, every day. The Italian example is healthy and laudable. The Camba’s fiestas were excessive and surely took a long-term physical toll. But both communities understood the importance of rules and structure. Camba society, Dwight Heath says, was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary and the hours long. There were few neighborhood or civic groups. Those weekly drinking parties were not chaotic revels; they were the heart of Camba community life. They had a function, and the elaborate rituals—one bottle at a time, the toasting, the sitting in a circle—served to give the Camba’s drinking a clear structure.

In the late nineteen-forties, Phyllis Williams and Robert Straus, two sociologists at Yale, selected ten first- and second-generation Italian-Americans from New Haven to keep diaries detailing their drinking behavior, and their entries show how well that community understood this lesson as well. Here is one of their subjects, Philomena Sappio, a forty-year-old hairdresser from an island in the Bay of Naples, describing what she drank one week in October of 1948:

Fri.—Today for dinner 4 oz. of wine [noon]. In the evening, I had fish with 8 oz. of wine [6 P.M.].

Sat.—Today I did not feel like drinking at all. Neither beer nor any other alcohol. I drank coffee and water.

Sun.—For dinner I made lasagna at noon, and had 8 oz. of wine. In the evening, I had company and took one glass of liqueur [1 oz. strega] with my company. For supper—I did not have supper because I wasn’t hungry.

Mon.—At dinner I drank coffee, at supper 6 oz. of wine[5 P.M.].

Tues.—At dinner, 4 oz. wine [noon]. One of my friends and her husband took me and my daughter out this evening in a restaurant for supper. We had a splendid supper. I drank 1 oz. of vermouth [5:30 P.M.] and 12 oz. of wine [6 P.M.].

Wed.—For dinner, 4 oz. of wine [noon] and for supper 6 oz. of wine [6 P.M.].

Thurs.—At noon, coffee and at supper, 6 oz. of wine [6 P.M.].

Fri.—Today at noon I drank orange juice; at supper in the evening [6 P.M.] 8 oz. of wine.

Sappio drinks almost every day, unless she isn’t feeling well. She almost always drinks wine. She drinks only at mealtimes. She rarely has more than a glass—except on a special occasion, as when she and her daughter are out with friends at a restaurant.

Here is another of Williams and Straus’s subjects—Carmine Trotta, aged sixty, born in a village outside Salerno, married to a girl from his village, father of three, proprietor of a small grocery store, resident of an exclusively Italian neighborhood:

Fri.—I do not generally eat anything for breakfast if I have a heavy supper the night before. I leave out eggnog and only take coffee with whisky because I like to have a little in the morning with coffee or with eggnog or a few crackers.

Mon.—When I drink whisky before going to bed I always put it in a glass of water. . . .

Wed.—Today is my day off from business, so I [drank] some beer because it was very hot. I never drink beer when I am working because I don’t like the smell of beer on my breath for my customers.

Thurs.—Every time that I buy a bottle of whisky I always divide same. One half at home and one half in my shop.

Sappio and Trotta do not drink for the same purpose as the Camba: alcohol has no larger social or emotional reward. It’s food, consumed according to the same quotidian rhythms as pasta or cheese. But the content of the rules matters less than the fact of the rule, the existence of a drinking regimen that both encourages and constrains alcohol’s use. “I went to visit one of my friends this evening,” Sappio writes. “We saw television and she offered me 6 oz. of wine to drink, and it was good [9 P.M.].” She did not say that her friend put the bottle on the table or offered her a second glass. Evidently, she brought out one glass of wine for each of them, and they drank together, because one glass is what you had, in the Italian neighborhoods of New Haven, at 9 P.M. while watching television.


Why can’t we all drink like the Italians of New Haven? The flood of immigrants who came to the United States in the nineteenth century brought with them a wealth of cultural models, some of which were clearly superior to the patterns of their new host—and, in a perfect world, the rest of us would have adopted the best ways of the newcomers. It hasn’t worked out that way, though. Americans did not learn to drink like Italians. On the contrary, when researchers followed up on Italian-Americans, they found that by the third and fourth generations they were, increasingly, drinking like everyone else.

There is something about the cultural dimension of social problems that eludes us. When confronted with the rowdy youth in the bar, we are happy to raise his drinking age, to tax his beer, to punish him if he drives under the influence, and to push him into treatment if his habit becomes an addiction. But we are reluctant to provide him with a positive and constructive example of how to drink. The consequences of that failure are considerable, because, in the end, culture is a more powerful tool in dealing with drinking than medicine, economics, or the law. For all we know, Philomena Sappio could have had within her genome a grave susceptibility to alcohol. Because she lived in the protective world of New Haven’s immigrant Italian community, however, it would never have become a problem. Today, she would be at the mercy of her own inherent weaknesses. Nowhere in the multitude of messages and signals sent by popular culture and social institutions about drinking is there any consensus about what drinking is supposed to mean.

“Mind if I vent for a while?” a woman asks her husband, in one popular—and depressingly typical—beer ad. He is sitting on the couch. She has just come home from work. He replies, “Mind? I’d prefer it!” And he jumps up, goes to the refrigerator, and retrieves two cans of Coors Light—a brand that comes with a special vent intended to make pouring the beer easier. “Let’s vent!” he cries out. She looks at him oddly: “What are you talking about?” “I’m talking about venting!” he replies, as she turns away in disgust. “What are you talking about?” The voice-over intones, “The vented wide-mouthed can from Coors Light. It lets in air for a smooth, refreshing pour.” Even the Camba, for all their excesses, would never have been so foolish as to pretend that you could have a conversation about drinking and talk only about the can.

It was a dazzling feat of wartime espionage. But does it argue for or against spying?


On April 30, side effects 1943, sildenafil a fisherman came across a badly decomposed corpse floating in the water off the coast of Huelva, in southwestern Spain. The body was of an adult male dressed in a trenchcoat, a uniform, and boots, with a black attaché case chained to his waist. His wallet identified him as Major William Martin, of the Royal Marines. The Spanish authorities called in the local British vice-consul, Francis Haselden, and in his presence opened the attaché case, revealing an official-looking military envelope. The Spaniards offered the case and its contents to Haselden. But Haselden declined, requesting that the handover go through formal channels—an odd decision, in retrospect, since, in the days that followed, British authorities in London sent a series of increasingly frantic messages to Spain asking the whereabouts of Major Martin’s briefcase.

It did not take long for word of the downed officer to make its way to German intelligence agents in the region. Spain was a neutral country, but much of its military was pro-German, and the Nazis found an officer in the Spanish general staff who was willing to help. A thin metal rod was inserted into the envelope; the documents were then wound around it and slid out through a gap, without disturbing the envelope’s seals. What the officer discovered was astounding. Major Martin was a courier, carrying a personal letter from Lieutenant General Archibald Nye, the vice-chief of the Imperial General Staff, in London, to General Harold Alexander, the senior British officer under Eisenhower in Tunisia. Nye’s letter spelled out what Allied intentions were in southern Europe. American and British forces planned to cross the Mediterranean from their positions in North Africa, and launch an attack on German-held Greece and Sardinia. Hitler transferred a Panzer division from France to the Peloponnese, in Greece, and the German military command sent an urgent message to the head of its forces in the region: “The measures to be taken in Sardinia and the Peloponnese have priority over any others.”

The Germans did not realize—until it was too late—that “William Martin” was a fiction. The man they took to be a high-level courier was a mentally ill vagrant who had eaten rat poison; his body had been liberated from a London morgue and dressed up in ”s clothing. The letter was a fake, and the frantic messages between London and Madrid a carefully choreographed act. When a hundred and sixty thousand Allied troops invaded Sicily on July 10, 1943, it became clear that the Germans had fallen victim to one of the most remarkable deceptions in modern military history.

The story of Major William Martin is the subject of the British journalist Ben Macintyre’s brilliant and almost absurdly entertaining “Operation Mincemeat” (Harmony; $25.99). The cast of characters involved in Mincemeat, as the caper was called, was extraordinary, and Macintyre tells their stories with gusto. The ringleader was Ewen Montagu, the son of a wealthy Jewish banker and the brother of Ivor Montagu, a pioneer of table tennis and also, in one of the many strange footnotes to the Mincemeat case, a Soviet spy. Ewen Montagu served on the so-called Twenty Committee of the British intelligence services, and carried a briefcase full of classified documents on his bicycle as he rode to work each morning.

His partner in the endeavor was a gawky giant named Charles Cholmondeley, who lifted the toes of his size-12 feet when he walked, and, Macintyre writes, “gazed at the world through thick round spectacles, from behind a remarkable moustache fully six inches long and waxed into magnificent points.” The two men coördinated with Dudley Clarke, the head of deception for all the Mediterranean, whom Macintyre describes as “unmarried, nocturnal and allergic to children.” In 1925, Clarke organized a pageant “depicting imperial artillery down the ages, which involved two elephants, thirty-seven guns and ‘fourteen of the biggest Nigerians he could find.’ He loved uniforms, disguises and dressing up.” In 1941, British authorities had to bail him out of a Spanish jail, dressed in “high heels, lipstick, pearls, and a chic cloche hat, his hands, in long opera gloves, demurely folded in his lap. He was not supposed to even be in Spain, but in Egypt.” Macintyre, who has perfect pitch when it comes to matters of British eccentricity, reassures us, “It did his career no long-term damage.”

To fashion the container that would keep the corpse “fresh,” before it was dumped off the coast of Spain, Mincemeat’s planners turned to Charles Fraser-Smith, whom Ian Fleming is thought to have used as the model for Q in the James Bond novels. Fraser-Smith was the inventor of, among other things, garlic-flavored chocolate intended to render authentic the breath of agents dropping into France and “a compass hidden in a button that unscrewed clockwise, based on the impeccable theory that the ‘unswerving logic of the German mind’ would never guess that something might unscrew the wrong way.” The job of transporting the container to the submarine that would take it to Spain was entrusted to one of England’s leading race-car drivers, St. John (Jock) Horsfall, who, Macintyre notes, “was short-sighted and astigmatic but declined to wear spectacles.” At one point during the journey, Horsfall nearly drove into a tram stop, and then “failed to see a roundabout until too late and shot over the grass circle in the middle.”

Each stage of the deception had to be worked out in advance. Martin’s personal effects needed to be detailed enough to suggest that he was a real person, but not so detailed as to suggest that someone was trying to make him look like a real person. Cholmondeley and Montagu filled Martin’s pockets with odds and ends, including angry letters from creditors and a bill from his tailor. “Hour after hour, in the Admiralty basement, they discussed and refined this imaginary person, his likes and dislikes, his habits and hobbies, his talents and weaknesses,” Macintyre writes. “In the evening, they repaired to the Gargoyle Club, a glamorous Soho dive of which Montagu was a member, to continue the odd process of creating a man from scratch.” Francis Haselden, for his part, had to look as if he desperately wanted the briefcase back. But he couldn’t be too diligent, because he had to make sure that the Germans had a look at it first. “Here lay an additional, but crucial, consideration,” Macintyre goes on. “The Germans must be made to believe that they had gained access to the documents undetected; they should be made to assume that the British believed the Spaniards had returned the documents unopened and unread. Operation Mincemeat would only work if the Germans could be fooled into believing that the British had been fooled.” It was an impossibly complex scheme, dependent on all manner of unknowns and contingencies. What if whoever found the body didn’t notify the authorities? What if the authorities disposed of the matter so efficiently that the Germans never caught wind of it? What if the Germans saw through the ruse?

In mid-May of 1943, when Winston Churchill was in Washington, D.C., for the Trident conference, he received a telegram from the code breakers back home, who had been monitoring German military transmissions: “MINCEMEAT SWALLOWED ROD, LINE AND SINKER.” Macintyre’s “Operation Mincemeat” is part of a long line of books celebrating the cleverness of Britain’s spies during the Second World War. It is equally instructive, though, to think about Mincemeat from the perspective of the spies who found the documents and forwarded them to their superiors. The things that spies do can help win battles that might otherwise have been lost. But they can also help lose battles that might otherwise have been won.


In early 1943, long before Major Martin’s body washed up onshore, the German military had begun to think hard about Allied intentions in southern Europe. The Allies had won control of North Africa from the Germans, and were clearly intending to cross the Mediterranean. But where would they attack? One school of thought said Sardinia. It was lightly defended and difficult to reinforce. The Allies could mount an invasion of the island relatively quickly. It would be ideal for bombing operations against southern Germany, and Italy’s industrial hub in the Po Valley, but it didn’t have sufficient harbors or beaches to allow for a large number of ground troops to land. Sicily did. It was also close enough to North Africa to be within striking distance of Allied short-range fighter planes, and a successful invasion of Sicily had the potential to knock the Italians out of the war.

Mussolini was in the Sicily camp, as was Field Marshal Kesselring, who headed up all German forces in the Mediterranean. In the Italian Commando Supremo, most people picked Sardinia, however, as did a number of senior officers in the German Navy and Air Force. Meanwhile, Hitler and the Oberkommando der Wehrmacht—the German armed-forces High Command—had a third candidate. They thought that the Allies were most likely to strike at Greece and the Balkans, given the Balkans’ crucial role in supplying the German war effort with raw materials such as oil, bauxite, and copper. And Greece was far more vulnerable to attack than Italy. As the historians Samuel Mitcham and Friedrich von Stauffenberg have pointed out, “in Greece all Axis reinforcements and supplies would have to be shipped over a single rail line of limited capacity, running for 1,300 kilometers (more than 800 miles) through an area vulnerable to air and partisan attack.”

All these assessments were strategic inferences from an analysis of known facts. But this kind of analysis couldn’t point to a specific target. It could only provide a range of probabilities. The intelligence provided by Major Martin’s documents was in a different category. It was marvellously specific. It said: Greece and Sardinia. But because that information washed up onshore, as opposed to being derived from the rational analysis of known facts, it was difficult to know whether it was true. As the political scientist Richard Betts has argued, in intelligence analysis there tends to be an inverse relationship between accuracy and significance, and this is the dilemma posed by the Mincemeat case.

As Macintyre observes, the informational supply chain that carried the Mincemeat documents from Huelva to Berlin was heavily corrupted. The first great enthusiast for the Mincemeat find was the head of German intelligence in Madrid, Major Karl-Erich Kühlenthal. He personally flew the documents to Berlin, along with a report testifying to their significance. But, as Macintyre writes, Kühlenthal was “a one-man espionage disaster area.” One of his prized assets was a Spaniard named Juan Pujol García, who was actually a double agent. When British code breakers looked at Kühlenthal’s messages to Berlin, they found that he routinely embellished and fictionalized his reports. According to Macintyre, Kühlenthal was “frantically eager to please, ready to pass on anything that might consolidate his ” in part because he had some Jewish ancestry and was desperate not to be posted back to Germany.

When the documents arrived in Berlin, they were handed over to one of Hitler’s top intelligence analysts, a man named Alexis Baron von Roenne. Von Roenne vouched for their veracity as well. But in some respects von Roenne was even less reliable than Kühlenthal. He hated Hitler and seemed to have done everything in his power to sabotage the Nazi war effort. Before D Day, Macintyre writes, “he faithfully passed on every deception ruse fed to him, accepted the existence of every bogus unit regardless of evidence, and inflated forty-four divisions in Britain to an astonishing eighty-nine.” It is entirely possible, Macintyre suggests, that von Roenne “did not believe the Mincemeat deception for an instant.”

These are two fine examples of why the proprietary kind of information that spies purvey is so much riskier than the products of rational analysis. Rational inferences can be debated openly and widely. Secrets belong to a small assortment of individuals, and inevitably become hostage to private agendas. Kühlenthal was an advocate of the documents because he needed them to be true; von Roenne was an advocate of the documents because he suspected them to be false. In neither case did the audiences for their assessments have an inkling about their private motivations. As Harold Wilensky wrote in his classic work “Organizational Intelligence” (1967), “The more secrecy, the smaller the intelligent audience, the less systematic the distribution and indexing of research, the greater the anonymity of authorship, and the more intolerant the attitude toward deviant views.” Wilensky had the Bay of Pigs debacle in mind when he wrote that. But it could just as easily have applied to any number of instances since, including the private channels of “intelligence” used by members of the Bush Administration to convince themselves that Saddam Hussein had weapons of mass destruction.

It was the requirement of secrecy that also prevented the Germans from properly investigating the Mincemeat story. They had to make it look as if they had no knowledge of Martin’s documents. So their hands were tied. The dated papers in Martin’s pockets indicated that he had been in the water for barely five days. Had the Germans seen the body, though, they would have realized that it was far too decomposed to have been in the water for less than a week. And, had they talked to the Spanish coroner who examined Martin, they would have discovered that he had noticed various red flags. The doctor had seen the bodies of many drowned fishermen in his time, and invariably there were fish and crab bites on the ears and other appendages. In this case, there were none. Hair, after being submerged for a week, becomes brittle and dull. Martin’s hair was not. Nor did his clothes appear to have been in the water very long. But the Germans couldn’t talk to the coroner without blowing their cover. Secrecy stood in the way of accuracy.


Suppose that Kühlenthal had not been so eager to please Berlin, and that von Roenne had not loathed Hitler, and suppose that the Germans had properly debriefed the coroner and uncovered all the holes in the Mincemeat story. Would they then have seen through the British deception? Maybe so. Or maybe they would have found the flaws in Mincemeat a little too obvious, and concluded that the British were trying to deceive Germany into thinking that they were trying to deceive Germany into thinking that Greece and Sardinia were the real targets—in order to mask the fact that Greece and Sardinia were the real targets.

This is the second, and more serious, of the problems that surround the products of espionage. It is not just that secrets themselves are hard to fact-check; it’s that their interpretation is inherently ambiguous. Any party to an intelligence transaction is trapped in what the sociologist Erving Goffman called an “expression game.” I’m trying to fool you. You realize that I’m trying to fool you, and I—realizing that—try to fool you into thinking that I don’t realize that you have realized that I am trying to fool you. Goffman argues that at each turn in the game the parties seek out more and more specific and reliable cues to the other’s intentions. But that search for specificity and reliability only makes the problem worse. As Goffman writes in his 1969 book “Strategic Interaction”:

The more the observer relies on seeking out foolproof cues, the more vulnerable he should appreciate he has become to the exploitation of his efforts. For, after all, the most reliance-inspiring conduct on the subject’s part is exactly the conduct that it would be most advantageous for him to fake if he wanted to hoodwink the observer. The very fact that the observer finds himself looking to a particular bit of evidence as an incorruptible check on what is or might be corrupted is the very reason why he should be suspicious of this evidence; for the best evidence for him is also the best evidence for the subject to tamper with.

Macintyre argues that one of the reasons the Germans fell so hard for the Mincemeat ruse is that they really had to struggle to gain access to the documents. They ——and failed—to find a Spanish accomplice when the briefcase was still in Huelva. A week passed, and the Germans grew more and more anxious. The briefcase was transferred to the Spanish Admiralty, in Madrid, where the Germans redoubled their efforts. Their assumption, Macintyre says, was that if Martin was a plant the British would have made their task much easier. But Goffman’s argument reminds us that the opposite is equally plausible. Knowing that a struggle would be a sign of authenticity, the Germans could just as easily have expected the British to provide one.

The absurdity of such expression games has been wittily explored in the spy novels of Robert Littell and, with particular brio, in Peter Ustinov’s 1956 play, “Romanoff and Juliet.” In the latter, a crafty general is the head of a tiny European country being squabbled over by the United States and the Soviet Union, and is determined to play one off against the other. He tells the U.S. Ambassador that the Soviets have broken the Americans’ secret code. “We know they know our code,” the Ambassador, Moulsworth, replies, beaming. “We only give them things we want them to know.” The general pauses, during which, the play’s stage directions say, “he tries to make head or tail of this intelligence.” Then he crosses the street to the Russian Embassy, where he tells the Soviet Ambassador, Romanoff, “They know you know their code.” Romanoff is unfazed: “We have known for some time that they knew we knew their code. We have acted accordingly—by pretending to be duped.” The general returns to the American Embassy and confronts Moulsworth: “They know you know they know you know.” Moulsworth (genuinely alarmed): “What? Are you sure?”

The genius of that parody is the final line, because spymasters have always prided themselves on knowing where they are on the “I-know-they-know-I-know-they-know” regress. Just before the Allied invasion of Sicily, a British officer, Colonel Knox, left a classified cable concerning the invasion plans on the terrace of Shepheard’s Hotel, in Cairo—and no one could find it for two days. “Dudley Clarke was confident, however, that if it had fallen into enemy hands through such an obvious and ‘gross breach of security’ then it would probably be dismissed as a plant, pointing to Sicily as the cover target in accordance with Mincemeat,” Macintyre writes. “He concluded that ‘Colonel Knox may well have assisted rather than hindered us.’ ” In the face of a serious security breach, that’s what a counter-intelligence officer would say. But, of course, there is no way for him to know how the Germans would choose to interpret that discovery—and no way for the Germans to know how to interpret that discovery, either.

At one point, the British discovered that a French officer in Algiers was spying for the Germans. They “turned” him, keeping him in place but feeding him a steady diet of false and misleading information. Then, before D Day—when the Allies were desperate to convince Germany that they would be invading the Calais sector in July—they used the French officer to tell the Germans that the real invasion would be in Normandy on June 5th, 6th, or 7th. The British theory was that using someone the Germans strongly suspected was a double agent to tell the truth was preferable to using someone the Germans didn’t realize was a double agent to tell a lie. Or perhaps there wasn’t any theory at all. Perhaps the spy game has such an inherent opacity that it doesn’t really matter what you tell your enemy so long as your enemy is aware that you are trying to tell him something.

At around the time that Montagu and Cholmondeley were cooking up Operation Mincemeat, the personal valet of the British Ambassador to Turkey approached the German Embassy in Ankara with what he said were photographed copies of his boss’s confidential papers. The valet’s name was Elyesa Bazna. The Germans called him Cicero, and in this case they performed due diligence. Intelligence that came in over the transom was always considered less trustworthy than the intelligence gathered formally, so Berlin pressed its agents in Ankara for more details. Who was Bazna? What was his background? What was his motivation?

“Given the extraordinary ease with which seemingly valuable documents were being obtained, however, there was widespread worry that the enemy had mounted some purposeful deception,” Richard Wires writes, in “The Cicero Spy Affair: German Access to British Secrets in World War II” (1999). Bazna was, for instance, highly adept with a camera, in a way that suggested professional training or some kind of assistance. Bazna claimed that he didn’t use a tripod but simply held each paper under a light with one hand and took the picture with the other. So why were the photographs so clear? Berlin sent a photography expert to investigate. The Germans tried to figure out how much English he knew—which would reveal whether he could read the documents he was photographing or was just being fed them. In the end, many German intelligence officials thought that Cicero was the real thing. But Joachim von Ribbentrop, the Foreign Minister, remained wary—and his doubts and political infighting among the German intelligence agencies meant that little of the intelligence provided by Cicero was ever acted upon.

Cicero, it turned out, was the real thing. At least, we think he was the real thing. The Americans had a spy in the German Embassy in Turkey who learned that a servant was spying in the British Embassy. She told her bosses, who told the British. Just before his death, Stewart Menzies, the head of the British Secret Intelligence Service during the war, told an interviewer, “Of course, Cicero was under our control,” meaning that the minute they learned about Cicero they began feeding him false documents. Menzies, it should be pointed out, was a man who spent much of his professional career deceiving other people, and if you had been the wartime head of M.I.6, giving an interview shortly before your death, you probably would say that Cicero was one of yours. Or perhaps, in interviews given shortly before death, people are finally free to tell the truth. Who knows?

In the case of Operation Mincemeat, Germany’s spies told their superiors that something false was actually true (even though, secretly, some of those spies might have known better), and Germany acted on it. In the case of Cicero, Germany’s spies told their superiors that something was true that may indeed have been true, though maybe wasn’t, or maybe was true for a while and not true for a while, depending on whether you believe the word of someone two decades after the war was over—and in this case Germany didn’t really act on it at all. Looking at that track record, you have to wonder if Germany would have been better off not having any spies at all.


The idea for Operation Mincemeat, Macintyre tells us, had its roots in a mystery story written by Basil Thomson, a former head of Scotland Yard’s criminal-investigation unit. Thomson was the author of a dozen detective stories, and his 1937 book “The Milliner’s Hat Mystery” begins with the body of a dead man carrying a set of documents that turn out to be forged. “The Milliner’s Hat Mystery” was read by Ian Fleming, who worked for naval intelligence. Fleming helped create something called the Trout Memo, which contained a series of proposals for deceiving the Germans, including this idea of a dead man carrying forged documents. The memo was passed on to John Masterman, the head of the Twenty Committee—of which Montagu and Cholmondeley were members. Masterman, who also wrote mysteries on the side, starring an Oxford don and a Sherlock Holmes-like figure, loved the idea. Mincemeat, Macintyre writes, “began as fiction, a plot twist in a long-forgotten novel, picked up by another novelist, and approved by a committee presided over by yet another novelist.”

Then, there was the British naval attaché in Madrid, Alan Hillgarth, who stage-managed Mincemeat’s reception in Spain. He was a “spy, former gold prospector, and, perhaps inevitably, successful novelist,” Macintyre writes. “In his six novels, Alan Hillgarth hankered for a lost age of personal valor, chivalry, and self-reliance.” Unaccountably, neither Montagu nor Cholmondeley seems to have written mysteries of his own. But, then again, they had Mincemeat. “As if constructing a character in a novel, Montagu and Cholmondeley . . . set about creating a personality with which to clothe their dead body,” Macintyre observes. Martin didn’t have to have a fiancée. But, in a good spy thriller, the hero always has a beautiful lover. So they found a stunning young woman, Jean Leslie, to serve as Martin’s betrothed, and Montagu flirted with her shamelessly, as if standing in for his fictional creation. They put love letters from her among his personal effects. “Don’t please let them send you off into the blue the horrible way they do nowadays,” she wrote to her fiancé. “Now that we’ve found each other out of the whole world, I don’t think I could bear it.”

The British spymasters saw themselves as the authors of a mystery story, because it gave them the self-affirming sense that they were in full command of the narratives they were creating. They were not, of course. They were simply lucky that von Roenne and Kühlenthal had private agendas aligned with the Allied cause. The intelligence historian Ralph Bennett writes that one of the central principles of Dudley Clarke (he of the cross-dressing, the elephants, and the fourteen Nigerian giants) was that “deception could only be successful to the extent to which it played on existing hopes and fears.” That’s why the British chose to convince Hitler that the Allied focus was on Greece and the Balkans—Hitler, they knew, believed that the Allied focus was on Greece and the Balkans. But we are, at this point, reduced to a logical merry-go-round: Mincemeat fed Hitler what he already believed, and was judged by its authors to be a success because Hitler continued to believe what he already believed. How do we know the Germans wouldn’t have moved that Panzer division to the Peloponnese anyway? Bennett is more honest: “Even had there been no deception, [the Germans] would have taken precautions in the Balkans.” Bennett also points out that what the Germans truly feared, in the summer of 1943, was that the Italians would drop out of the Axis alliance. Soldiers washing up on beaches were of little account next to the broader strategic considerations of the southern Mediterranean. Mincemeat or no Mincemeat, Bennett writes, the Germans “would probably have refused to commit more troops to Sicily in support of the Italian Sixth Army lest they be lost in the aftermath of an Italian defection.” Perhaps the real genius of spymasters is found not in the stories they tell their enemies during the war but in the stories they tell in their memoirs once the war is over.


It is helpful to compare the British spymasters’ attitudes toward deception with that of their postwar American counterpart James Jesus Angleton. Angleton was in London during the nineteen-forties, apprenticing with the same group that masterminded gambits such as Mincemeat. He then returned to Washington and rose to head the C.I.A.’s counter-intelligence division throughout the Cold War.

Angleton did not write detective stories. His nickname was the Poet. He corresponded with the likes of Ezra Pound, E. E. Cummings, T. S. Eliot, Archibald MacLeish, and William Carlos Williams, and he championed William Empson’s “Seven Types of Ambiguity.” He co-founded a literary journal at Yale called Furioso. What he brought to spycraft was the intellectual model of the New Criticism, which, as one contributor to Furioso put it, was propelled by “the discovery that it is possible and proper for a poet to mean two differing or even opposing things at the same time.” Angleton saw twists and turns where others saw only straight lines. To him, the spy game was not a story that marched to a predetermined conclusion. It was, in a phrase of Eliot’s that he loved to use, “a wilderness of mirrors.”

Angleton had a point. The deceptions of the intelligence world are not conventional mystery narratives that unfold at the discretion of the narrator. They are poems, capable of multiple interpretations. Kühlenthal and von Roenne, Mincemeat’s audience, contributed as much to the plan’s success as Mincemeat’s authors. A body that washes up onshore is either the real thing or a plant. The story told by the ambassador’s valet is either true or too good to be true. Mincemeat seems extraordinary proof of the cleverness of the British Secret Intelligence Service, until you remember that just a few years later the Secret Intelligence Service was staggered by the discovery that one of its most senior officials, Kim Philby, had been a Soviet spy for years. The deceivers ended up as the deceived.

But, if you cannot know what is true and what is not, how on earth do you run a spy agency? In the nineteen-sixties, Angleton turned the C.I.A. upside down in search of K.G.B. moles that he was sure were there. As a result of his mole hunt, the agency was paralyzed at the height of the Cold War. American intelligence officers who were entirely innocent were subjected to unfair accusations and scrutiny. By the end, Angleton himself came under suspicion of being a Soviet mole, on the ground that the damage he inflicted on the C.I.A. in the pursuit of his imagined Soviet moles was the sort of damage that a real mole would have sought to inflict on the C.I.A. in the pursuit of Soviet interests.

“The remedy he had proposed in 1954 was for the CIA to have what would amount to two separate mind-sets,” Edward Jay Epstein writes of Angleton, in his 1989 book “Deception.” “His counterintelligence staff would provide the alternative view of the picture. Whereas the Soviet division might see a Soviet diplomat as a possible CIA mole, the counterintelligence staff would view him as a possible disinformation agent. What division case officers would tend to look at as valid information, furnished by Soviet sources who risked their lives to cooperate with them, counterintelligence officers tended to question as disinformation, provided by KGB-controlled sources. This was, as Angleton put it, ‘a necessary duality.'”

Translation: the proper function of spies is to remind those who rely on spies that the kinds of thing found out by spies can’t be trusted. If this sounds like a lot of trouble, there’s a simpler alternative. The next time a briefcase washes up onshore, don’t open it.